You can ruin your life wanting to be an actor.
BILL NIGHYIn life, if you have an enthusiasm for what they call ‘good manners,’ sometimes people don’t quite believe you. I’ve had that once or twice before, where they assume you can’t be for real.
More Bill Nighy Quotes
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I’m always happy when actors get rich, because the odds on it are so long!
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Opening a play is just tough. The idea that actors are weirdly protected from it is a myth.
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I guess part of the hit-man appeal is the solitude. Everybody is lured to the idea of the solitary life.
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I don’t spend a lot of time with anybody.
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I’m a jacket man. And if I’m without one, I am kind of seriously disabled. I don’t know how to operate in shirt sleeves.
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Anyone who can do the splits and come back up on the backbeat, as James Brown and Prince can, has my eternal respect.
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When you are in something that you’re proud of and it’s funny and it’s a good night out and all of those things, there’s nothing quite like it. The rewards are proportionate to the amount of alarm and distress it causes you.
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In life, if you have an enthusiasm for what they call ‘good manners,’ sometimes people don’t quite believe you. I’ve had that once or twice before, where they assume you can’t be for real.
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I am a fan of rehearsal. I like doing it [scene] over and over and over and over until it looks like you never did it before.
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If you ever see me in a social setting wearing any sort of sportswear, then you know I’m in crisis.
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I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn’t operate in those kinds of trousers. Which is a joke, but it’s actually also true – if I want to appear in public I want to look my best.
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In one way, an attempt to reproduce the way people actually speak, but it’s not just an attempt at naturalism. It’s stylised and it’s heightened, to great effect. It’s elegant and it’s funny and that’s the way to my heart, frankly.
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The way the elderly are treated, and in some cases warehoused and medicated, rather than nurtured and listened to, is distressing.
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I have a perfectly average skewed perception of myself. We often don’t know what we’re like.
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I learned far too late in life that a long list of letters after someone’s name is no guarantee of compassion, kindness, humour, all the far more relevant stuff.
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In the street, people talk to you about all kinds of things, but by far, the most number of people talk to me about Love, Actually.
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Often in America people would assume that [as an English actor] you’ve had some sort of deep, classical training, or that you’re a Shakespeare enthusiast. I have zero interest in me performing Shakespeare.
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If I’m going to appear in front of people I like to look my best.
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If I ruled the world, every woman would have a Chanel suit in her wardrobe.
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With stage, you feel completely like you’re just in a bubble. I love not being able to see anything. I love coming out and I can’t see anything because the lights are so bright and it’s pitch black. That’s ideal for me, that’s when I have the best time.
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I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can’t tell you any line from any play I’ve ever done.
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If I’m onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
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I’m not an actor who consciously accesses bits of my life, in order to play parts. Obviously, you don’t need to have been a father to play one, otherwise everyone who’s been a father would be able to act.
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The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.
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Hunger is almost like something the West does. It’s almost like the direct result of the way the West performs.
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I like being in kids’ movies, and I like being in family movies.
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