“The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.”

I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn’t operate in those kinds of trousers. Which is a joke, but it’s actually also true – if I want to appear in public I want to look my best.

I don’t even own a car.

I did pick up a guitar once, but the strings hurt my fingers so I put it down again.

I love playing half squid/half crab guy because you can get away with a level of acting that if you tried it anywhere else they’d arrest you for crimes against acting.

I wanted to be a journalist, I thought it was glamorous and that I’d meet beautiful women in the rain.

In one way, an attempt to reproduce the way people actually speak, but it’s not just an attempt at naturalism. It’s stylised and it’s heightened, to great effect. It’s elegant and it’s funny and that’s the way to my heart, frankly.

Whatever you do, don’t smoke’. I have had to recover from that and been lucky that I have been able to stop.

You have all these plans to act, and maybe do it rather elegantly, and then they turn the rain machine on.

The way the elderly are treated, and in some cases warehoused and medicated, rather than nurtured and listened to, is distressing.

Hunger is almost like something the West does. It’s almost like the direct result of the way the West performs.

I love imaginative representations of a possible near-future, where you look at the technology and you think, “Well, yeah, that could really nearly be true.” I like those kinds of backgrounds.

Somebody asked me recently, ‘Have you done a lot of plays?’ I thought hang on. .

I think in the old days, everybody used to act really quickly because Hollywood was built by theatre people.

I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can’t tell you any line from any play I’ve ever done.

Emma Watson is adorable in the extreme. She is such a lovely person.

I guess part of the hit-man appeal is the solitude. Everybody is lured to the idea of the solitary life.

I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.

You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.

None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.

Women like to take their clothes off. I noticed that. Especially in front of a camera. Or a mirror.

I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.

I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.

The camera is no more an instrument of preservation, the image is.

What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.