The way the elderly are treated, and in some cases warehoused and medicated, rather than nurtured and listened to, is distressing.
BILL NIGHYIn the street, people talk to you about all kinds of things, but by far, the most number of people talk to me about Love, Actually.
More Bill Nighy Quotes
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I don’t spend a lot of time with anybody.
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One of my great regrets, and I don’t have many, is that I spent too long putting people’s status and reputation ahead of their more important qualities.
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I guess part of the hit-man appeal is the solitude. Everybody is lured to the idea of the solitary life.
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One of the great regrets of my life is that I smoked. If I could say anything to anybody starting out in life it would be, ‘
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Often in America people would assume that [as an English actor] you’ve had some sort of deep, classical training, or that you’re a Shakespeare enthusiast. I have zero interest in me performing Shakespeare.
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I’ve always slightly worried the kids who play football around my house. They know I’m an actor, but felt sorry for me because they’d never seen anything I’ve done.
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I have a perfectly average skewed perception of myself. We often don’t know what we’re like.
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I did pick up a guitar once, but the strings hurt my fingers so I put it down again.
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When you have a family, or even when you’re just seeing a girl, it’s difficult to be skint.
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With stage, you feel completely like you’re just in a bubble. I love not being able to see anything. I love coming out and I can’t see anything because the lights are so bright and it’s pitch black. That’s ideal for me, that’s when I have the best time.
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You get older and you see yourself and say, ‘God, he’s old, who’s that?’
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If I’m onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
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I don’t dislike the process of animation… I find it daunting, but only as much as I find everything daunting.
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I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
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A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.
BILL NIGHY