I did pick up a guitar once, but the strings hurt my fingers so I put it down again.
BILL NIGHYJerry Bruckheimer says that he makes films that he would want to see, and it seems that that coincides with what a lot of people want to see.
More Bill Nighy Quotes
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They’re at their most enchanting ’cause they just want to put it off, so they do a cabaret for you. You sit there thinking, “Please don’t let this end.”
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One of the things that is assumed about actors is that they are extrovert, which is almost never the case, in my experience.
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I do think 3D has seriously improved, since I was a boy. It’s fabulous.
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When you have a family, or even when you’re just seeing a girl, it’s difficult to be skint.
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I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can’t tell you any line from any play I’ve ever done.
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I’ve always slightly worried the kids who play football around my house. They know I’m an actor, but felt sorry for me because they’d never seen anything I’ve done.
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I don’t even own a car.
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I find it hard to relax around any man who’s got the second button on his shirt undone.
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More people saw me in ‘Love Actually’ than had seen me in everything else I had ever done up to that point.
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Opening a play is just tough. The idea that actors are weirdly protected from it is a myth.
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I don’t dislike the process of animation… I find it daunting, but only as much as I find everything daunting.
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My dad had a personal style which was very attractive. It was quite reserved and quite elegant, and it was infectious.
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Anyone who can do the splits and come back up on the backbeat, as James Brown and Prince can, has my eternal respect.
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It’s more than usually possible that I won’t do a play again. But Skylight is one of the great plays in the English language.
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I’m a jacket man. And if I’m without one, I am kind of seriously disabled. I don’t know how to operate in shirt sleeves.
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I think in the old days, everybody used to act really quickly because Hollywood was built by theatre people.
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You have all these plans to act, and maybe do it rather elegantly, and then they turn the rain machine on.
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I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
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A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.
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In the street, people talk to you about all kinds of things, but by far, the most number of people talk to me about Love, Actually.
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I have nothing against romanticism. I’m all for it. I’m helpless in the face of romance.
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If I’m onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
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Often in America people would assume that [as an English actor] you’ve had some sort of deep, classical training, or that you’re a Shakespeare enthusiast. I have zero interest in me performing Shakespeare.
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I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn’t operate in those kinds of trousers. Which is a joke, but it’s actually also true – if I want to appear in public I want to look my best.
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I love playing half squid/half crab guy because you can get away with a level of acting that if you tried it anywhere else they’d arrest you for crimes against acting.
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You can ruin your life wanting to be an actor.
BILL NIGHY