In the street, people talk to you about all kinds of things, but by far, the most number of people talk to me about Love, Actually.
BILL NIGHYOpening a play is just tough. The idea that actors are weirdly protected from it is a myth.
More Bill Nighy Quotes
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I don’t do plays without jokes anymore. I’ve retired from those plays. I think it’s bad manners to invite people to sit in the dark for two and a half hours and not tell them the joke.
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Whatever you do, don’t smoke’. I have had to recover from that and been lucky that I have been able to stop.
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All actors who have been around for a long time, which I have, and have been skint for long periods, which I have, find it difficult to turn down jobs. If I turn anything down my stomach turns over. I feel sick. It feels like gambling.
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A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.
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I’m just aware of what I’m thinking and feeling but I do obviously have to get that to the back of the auditorium.
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Somebody asked me recently, ‘Have you done a lot of plays?’ I thought hang on. .
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I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
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If I’m onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
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You tell yourself that you’re not auditioning but of course you work like crazy, and you prepare like mad. And you think, “Well, I won’t get that job. But maybe they’ll have another job sometime, and they’ll remember that I was good.”
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Opening a play is just tough. The idea that actors are weirdly protected from it is a myth.
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I don’t spend a lot of time with anybody.
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More people saw me in ‘Love Actually’ than had seen me in everything else I had ever done up to that point.
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I find it hard to relax around any man who’s got the second button on his shirt undone.
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When I do a play, it’s like agreeing to be ill for a couple of months.
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I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously.
BILL NIGHY