I would like to change everything, but obviously not everything. I’ve been incredibly fortunate. I guess everybody would do this, but I’d go back to my younger self and say, “Lighten up. Take it easy. Relax. Don’t be so anxious about everything.
BILL NIGHYSo there are things like projection and filling the room, and not dropping the ends of lines – technical things which are important, but I don’t think they change the way I feel in a scene.
More Bill Nighy Quotes
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Opening a play is just tough. The idea that actors are weirdly protected from it is a myth.
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I think in the old days, everybody used to act really quickly because Hollywood was built by theatre people.
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I don’t spend a lot of time with anybody.
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I do think 3D has seriously improved, since I was a boy. It’s fabulous.
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The way the elderly are treated, and in some cases warehoused and medicated, rather than nurtured and listened to, is distressing.
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If I ruled the world, every woman would have a Chanel suit in her wardrobe.
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I’m always happy when actors get rich, because the odds on it are so long!
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You have all these plans to act, and maybe do it rather elegantly, and then they turn the rain machine on.
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I don’t dislike the process of animation… I find it daunting, but only as much as I find everything daunting.
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I used to do nothing but plays. I’ve been very fortunate that on several occasions I’ve had jobs where I didn’t want to be anywhere else in the world whatever you had to offer – however much money you’ve got
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The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.
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It’s more than usually possible that I won’t do a play again. But Skylight is one of the great plays in the English language.
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One of my great regrets, and I don’t have many, is that I spent too long putting people’s status and reputation ahead of their more important qualities.
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Anyone who can do the splits and come back up on the backbeat, as James Brown and Prince can, has my eternal respect.
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I don’t do plays without jokes anymore. I’ve retired from those plays. I think it’s bad manners to invite people to sit in the dark for two and a half hours and not tell them the joke.
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Somebody asked me recently, ‘Have you done a lot of plays?’ I thought hang on. .
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Prince, who is a genius of the highest order, can come back up while singing and playing the guitar.
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If I’m onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
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I find it hard to relax around any man who’s got the second button on his shirt undone.
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To be serious, the things you really want to relive are things like bedtime with your daughter when she becomes incredibly entertaining ’cause she doesn’t want to go to sleep.
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I’m one of those weird people who doesn’t even own a computer.
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My dad had a personal style which was very attractive. It was quite reserved and quite elegant, and it was infectious.
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I’m not famous for my back story investigations; I’m lucky that I work with good writers and it’s usually in the script.
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I’m not a financial expert. The Robin Hood tax seems to me a very simple and beautiful idea. I don’t see the problem.
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I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
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Whatever you do, don’t smoke’. I have had to recover from that and been lucky that I have been able to stop.
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