One of my great regrets, and I don’t have many, is that I spent too long putting people’s status and reputation ahead of their more important qualities.
The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.
I learned far too late in life that a long list of letters after someone’s name is no guarantee of compassion, kindness, humour, all the far more relevant stuff.
I don’t do plays without jokes anymore. I’ve retired from those plays. I think it’s bad manners to invite people to sit in the dark for two and a half hours and not tell them the joke.
In one way, an attempt to reproduce the way people actually speak, but it’s not just an attempt at naturalism. It’s stylised and it’s heightened, to great effect. It’s elegant and it’s funny and that’s the way to my heart, frankly.
You tell yourself that you’re not auditioning but of course you work like crazy, and you prepare like mad. And you think, “Well, I won’t get that job. But maybe they’ll have another job sometime, and they’ll remember that I was good.”
To be serious, the things you really want to relive are things like bedtime with your daughter when she becomes incredibly entertaining ’cause she doesn’t want to go to sleep.
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