“I’m one of those weird people who doesn’t even own a computer.”

Hunger is almost like something the West does. It’s almost like the direct result of the way the West performs.

I love imaginative representations of a possible near-future, where you look at the technology and you think, “Well, yeah, that could really nearly be true.” I like those kinds of backgrounds.

Somebody asked me recently, ‘Have you done a lot of plays?’ I thought hang on. .

I think in the old days, everybody used to act really quickly because Hollywood was built by theatre people.

I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can’t tell you any line from any play I’ve ever done.

Emma Watson is adorable in the extreme. She is such a lovely person.

I guess part of the hit-man appeal is the solitude. Everybody is lured to the idea of the solitary life.

One of the things that is assumed about actors is that they are extrovert, which is almost never the case, in my experience.

The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.

When you have a family, or even when you’re just seeing a girl, it’s difficult to be skint.

I really have no interest in delivering the iambic pentameter, I just want to kill myself. I don’t mind other people doing it. I say that, but really I don’t want to watch other people doing it. I get embarrassed.

I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously.

Standing in front of a fake mountain with fake snow falling and seven girls dressed as Santarettes will stay in my memory.

A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.

When I do a play, it’s like agreeing to be ill for a couple of months.

I’m always happy when actors get rich, because the odds on it are so long!

When the Mac first came out, Newsweek asked me what I [thought] of it. I said: Well, it’s the first personal computer worth criticizing.

I don’t know how many of you have ever met Dijkstra, but you probably know that arrogance in computer science is measured in nano-Dijkstras.

My computer’s memory stores a million phone numbers with perfect accuracy, but I have to stop and think to recall my own.

Computer memories work in a manner alien to human memories. My memory lets me recognize the faces of my friends, whereas my own computer never even recognizes me.

Because computers have memories, we imagine that they must be something like our human memories, but that is simply not true.

Run for your lives-the computers are invading. Awesomely powerful computers tackling ever more important tasks with awkward, old-fashioned interfaces.

Computers no longer interface with humans–they interact, and the interaction will become steadily deeper, more subtle, and more crucial to our collective sanity and ultimate survival.

In turn, we will be tempted to kill our computers, but we won’t dare because we are already utterly, irreversibly dependent on these hopeful monsters that make modern life possible.