“I did pick up a guitar once, but the strings hurt my fingers so I put it down again.”

Hunger is almost like something the West does. It’s almost like the direct result of the way the West performs.

I love imaginative representations of a possible near-future, where you look at the technology and you think, “Well, yeah, that could really nearly be true.” I like those kinds of backgrounds.

Somebody asked me recently, ‘Have you done a lot of plays?’ I thought hang on. .

I think in the old days, everybody used to act really quickly because Hollywood was built by theatre people.

I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can’t tell you any line from any play I’ve ever done.

Emma Watson is adorable in the extreme. She is such a lovely person.

I guess part of the hit-man appeal is the solitude. Everybody is lured to the idea of the solitary life.

One of the things that is assumed about actors is that they are extrovert, which is almost never the case, in my experience.

The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.

When you have a family, or even when you’re just seeing a girl, it’s difficult to be skint.

I really have no interest in delivering the iambic pentameter, I just want to kill myself. I don’t mind other people doing it. I say that, but really I don’t want to watch other people doing it. I get embarrassed.

I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously.

Standing in front of a fake mountain with fake snow falling and seven girls dressed as Santarettes will stay in my memory.

A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.

When I do a play, it’s like agreeing to be ill for a couple of months.

I’m always happy when actors get rich, because the odds on it are so long!

I wanted to connect my guitar to human emotions.

I’m not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn’t come into it.

Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you’re playing an instrument that is really hard.

There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That’s a personal point of view but that’s the way I see it. I think that’s what it’s all about. The drive, the fire, the passion – it all comes out on the guitar.

Oh yeah, I mean, it wasn’t a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that’ll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.

All I want for Christmas is a rock n roll electric guitar.

The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.