If you ask any actor “What single thing would make you really, really happy?” Among the top five things they’d say is not having to audition anymore.
BILL NIGHYAnyone who can do the splits and come back up on the backbeat, as James Brown and Prince can, has my eternal respect.
More Bill Nighy Quotes
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I admire David Hare as much as I admire certainly any writer ever. What I like about his writing is it is very conscientiously.
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Standing in front of a fake mountain with fake snow falling and seven girls dressed as Santarettes will stay in my memory.
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I hardly even leave my own house.
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I really have no interest in delivering the iambic pentameter, I just want to kill myself. I don’t mind other people doing it. I say that, but really I don’t want to watch other people doing it. I get embarrassed.
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I guess part of the hit-man appeal is the solitude. Everybody is lured to the idea of the solitary life.
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A way of describing performances that I admire is that there is an absence of careerism. It’s a clumsy way of describing it but it sort of does it for me.
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I love imaginative representations of a possible near-future, where you look at the technology and you think, “Well, yeah, that could really nearly be true.” I like those kinds of backgrounds.
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Try to be in the day. Try to not have today stolen from you by anxiety about yesterday or tomorrow.”
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I learned far too late in life that a long list of letters after someone’s name is no guarantee of compassion, kindness, humour, all the far more relevant stuff.
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I used to do nothing but plays. I’ve been very fortunate that on several occasions I’ve had jobs where I didn’t want to be anywhere else in the world whatever you had to offer – however much money you’ve got
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Actors always talk about taking their work home and I always think: ‘What are you on? You just turn it off. You are at work and then you go home.’
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So there are things like projection and filling the room, and not dropping the ends of lines – technical things which are important, but I don’t think they change the way I feel in a scene.
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One of the things that is assumed about actors is that they are extrovert, which is almost never the case, in my experience.
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When you have a family, or even when you’re just seeing a girl, it’s difficult to be skint.
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If I’m onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
BILL NIGHY