I’m just a potato that won’t quit. I’m a potato with some legs. Some have eyes, I’ve got legs.
BILL MURRAYLike: ‘Don’t walk out there with one hand in your pocket unless there’s somethin’ in there you’re going to bring out.’ You gotta commit. You’ve gotta go out there and improvise and you’ve gotta be completely unafraid to die.
More Bill Murray Quotes
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My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, ‘That’s it-let’s get the hell outta here.’
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I know how to be sour. I know that taste.
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I’m just an obnoxious guy who can make it appear charming, that’s what they pay me to do.
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This is not a dress rehearsal; this is your life.
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I’ve been lucky, I’ve had movies that made a lot of money, so I don’t feel like I have to kill every time out. I don’t want that pressure. I don’t need it.
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Movie acting suits me because I only need to be good for ninety seconds at a time.
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Back then, when a movie came out and people saw you on the street, their reaction was so supercharged that it was scary. It would frighten other people. It used to really rattle me.
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I’m a nut, but not just a nut.
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The money thing is, the sort of Elvis Presley thing of buying you mother car is great, that’s very good. My mother has learned how to spend money.
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I don’t know how this guy knew how much money I was making. I didn’t know how much money I was making.
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I wanted to be a doctor once upon a time, but it turns out you’ve got to study, and that wasn’t going to happen. I had no idea what I was going to do. I had trouble holding jobs because they want you to be on time. That wasn’t going to work.
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If it starts to drag on set, or if you feel like it’s not a fun experience, people get down, the energy gets down. You’ve got to keep the energy up.
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There aren’t many downsides to being rich, other than paying taxes and having relatives asking for money. But being famous, that’s a 24 hour job right there.
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So you’d have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining?
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The critics. When they’re right, they’re right for the wrong reasons. And they’re usually wrong.
BILL MURRAY