From its inception by Michael Bennett, ‘Dreamgirls’ has always been an epic story with an ensemble cast. I didn’t change that. The screen version remains, really, a group story.
BILL CONDONBut you really – I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal.
More Bill Condon Quotes
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I think it would be fun to write about movies again.
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Our relationships, relationships between adults, how all those pieces fit together – that’s the most complicated thing we all face.
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But the imposition of morality onto science, – where it does not belong – has become rampant in recent years.
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I do think that’s so much a part of what being a director is – in working with actors – to really try and be sensitive to what each actor needs to get to where he wants to be.
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I wanted to make connections between Whale’s past and present.
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It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.
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There’s nothing quite as good as folding up into a book and shutting the world outside.If I pick the right one I can be beautiful, or fall in love, or live happily ever after. Maybe even all three.
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I think that finding a way into somebody’s life that’s sort of off from a side angle can tell you more about that person than a greatest hits approach.
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Sometimes words just don’t get you there… don’t let you say all the stuff from deep in your heart, stuff that no dictionary has a name for.
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There were moments on the set when the depth of the cast of ‘Dreamgirls’ was almost overwhelming to me.
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Kinsey thought that Freud in his own way was as dangerous as the Catholic Church.
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You know he comes out of stand-up. He comes – it’s all about capturing the moment – in the moment, you know.
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Kinsey would identify himself with Galileo in moments of feelings of persecution.
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When it comes to two of the big social earthquakes in the last fifty years – which are the gay movement and the women’s movement – I think there is a direct line from Kinsey to those.
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I had a couple of movies that I was passionately involved with that I could never get made. ‘Richard Pryor,’ I wrote for – gosh – over a year. That was close to getting made for two-and-a-half years after that.
BILL CONDON