“Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just The Other.”

There was no audience for my books. The Indians didn’t regard me as an Indian and North Americans couldn’t conceive of me of a North American writer, not being white and brought up on wheat germ. My fiction got lost.

But, Christ, there’s a difference between exotic and foreign, isn’t there? Exotic means you know how to use your foreignness, or you make yourself a little foreign in order to appear exotic. Real foreign is a little scary, believe me.

What was the duty of the teacher if not to inspire?

She would have in tow one or two slower-footed, sari-clad young Indian nuns. We thought her a freak. Probably wed picked up on unvoiced opinions of our Loreto nuns.

I feel empowered to be a different kind of writer. The longer I stay here, the more light filters into my work. I feel very American. I belong.

The traveler feels at home everywhere, because she is never at home anywhere.

You know, there was always a couple of bodyguards behind me, who took care if I wanted… I needed pencils for school, I needed a notebook, they were the ones who were taking out the money. I was constantly guarded.

In the context of lost causes, Mother Teresa took on battles she knew she could win. Taken together, it seems to me, the criticisms of her work do not undermine or topple her overall achievement.

Ancestral habits of mind can be constricting; they also confer one’s individuality.

I had never walked on the street alone when I was growing up in Calcutta, up to age 20. I had never handled money.

Mother Teresas detractors have accused her of overemphasizing Calcuttans destitution and of coercing conversion from the defenseless.

We do things when it is our time to do them. They do not occur to us until it is time; they cannot be resisted, once their time has come. It’s a question of time, not motive.

The picture of Mother Teresa that I remember from my childhood is of a short, sari-wearing woman scurrying down a red gravel path between manicured lawns.

[On her writing agenda:] Make the familiar exotic; the exotic familiar.

I am aware of myself as a four-hundred-year-old woman, born in the captivity of a colonial, pre-industrial oral culture and living now as a contemporary New Yorker.

I’m sorry, this is too much work, I’m going to try applying for call center jobs. The pay is better.’

What were the politics of my family? They were mainstream moderate politics.

I’m mainstream. Always have been.

When Elton John sang a duet with the white rapper Eminem on a Grammy telecast, rap went mainstream. Massive parental headaches followed.

I love the way I make hip-hop and I refuse to make pop-rap. I don’t refuse to make mainstream music, which is why I did a soul record. There was no reason why soul music couldn’t get played on the radio and I still wanted to have a relationship with my record label.

Hip-hop artists, especially the older ones, are the ones who knew hip-hop was a worldwide phenomenon before the mainstream caught on, so hip-hop artists are forward thinkers. We want to stay with the new.

Now, the political class tries to make sense of all of this, but they can’t, because never has the political class or the mainstream media that covers them been more out of touch with the American people than they are today.

Mainstream people dislike homosexuality because they can’t help concentrating on what homosexual men do to one another. And when you contemplate what people do, you think of yourself doing it. And they don’t like that. That’s the famous joke:

I feel like science fiction is so much more mainstream now than it has been. And I feel like thats because technology has caught up with us.