I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCII am still against any kind of censorship. It’s a subject in my life that has been very important.
More Bernardo Bertolucci Quotes
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A dolly move is a moral commitment.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I left the ending ambiguous, because that is the way life is.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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