This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
BERNARDO BERTOLUCCIWhat happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
More Bernardo Bertolucci Quotes
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
BERNARDO BERTOLUCCI