You live day by day. You can’t build your life.
BERNARDO BERTOLUCCIThe life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
More Bernardo Bertolucci Quotes
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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A dolly move is a moral commitment.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
BERNARDO BERTOLUCCI