I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
BERNARDO BERTOLUCCIEvery film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
More Bernardo Bertolucci Quotes
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
BERNARDO BERTOLUCCI