As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCII think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
More Bernardo Bertolucci Quotes
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You live day by day. You can’t build your life.
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I left the ending ambiguous, because that is the way life is.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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New York has always embraced me.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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A dolly move is a moral commitment.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
BERNARDO BERTOLUCCI