I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
BERKELEY BREATHEDI started as a news photographer at the University Of Texas’ Daily Texan.
More Berkeley Breathed Quotes
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I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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I happen to think nearly everybody – especially those one might find in the odd issue of ‘People’ magazine, including me – is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.
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The universe throws us some obvious little pitches sometimes, and we need to be awake enough not to let them slip by.
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I grew up in Los Angeles and always wished I’d spent a childhood in a far different place.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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He comic page is dying; I didn’t want to go with it.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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Steve Dallas…a frat-boy lawyer who I knew in school. He’s never written me. I suspect he was shot by an annoyed girlfriend, which has saved me many legal fees.
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I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn’t exist.
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And just as it is with all proper grannies, she ordered me into my pink bunny jammies.
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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