I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
BERKELEY BREATHEDI don’t get fan mail. It disappeared with the digital revolution.
More Berkeley Breathed Quotes
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I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn’t exist.
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Harry Potter’ shouldn’t be children’s first experience with suspense and plot turns.
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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I happen to think nearly everybody – especially those one might find in the odd issue of ‘People’ magazine, including me – is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.
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He comic page is dying; I didn’t want to go with it.
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If you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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I was never asked to join the Editorial Cartoonists Of America. No fraternity would have me in college, either. I think they know something.
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I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
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My kids hear me behind my door, giggling like an idiot, and they roll their eyes at the blatant indignity of it all.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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I don’t get fan mail. It disappeared with the digital revolution.
BERKELEY BREATHED