Irony can elude the genius among us, sometimes.
BERKELEY BREATHEDI’ll confess right here that I secretly wish I’d have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
More Berkeley Breathed Quotes
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I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
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I knew ‘Mars Needs Moms! ‘ would be a movie seconds after the title came to mind. Similarly, I also knew that my daughter would be calling me a dork as a default term of endearment eventually.
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I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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I was never asked to join the Editorial Cartoonists Of America. No fraternity would have me in college, either. I think they know something.
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I grew up in Los Angeles and always wished I’d spent a childhood in a far different place.
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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I don’t get fan mail. It disappeared with the digital revolution.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
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I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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I happen to think nearly everybody – especially those one might find in the odd issue of ‘People’ magazine, including me – is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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It’s not terribly dignified to have anyone seeing one laugh at one’s own material.
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The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
BERKELEY BREATHED