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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.

Berenice Abbott

None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT

Cameras Talking Themselves Way
You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
BERENICE ABBOTT

Needs Photographer World
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT

Reality Responsibility Today
Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
BERENICE ABBOTT

Living Mean Photography Positive Song
The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT

Accurate More Photographer Seeing Sharpy
Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
BERENICE ABBOTT

Cities Curiosity Past Photography
Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT

Documentary Photographer World
Imagine a world without photography, one could only imagine.
BERENICE ABBOTT

Photographer Photography World
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT

Excellence Eye Past Photography
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT

Photography Space Vision
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
BERENICE ABBOTT

Growing Photography Walks
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
BERENICE ABBOTT

Cameras Eye Photographer
What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
BERENICE ABBOTT

Needs Photography Real Structure
I’m not a nice girl. I’m a photographer.
BERENICE ABBOTT

Girl Nice Photographer
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT

Decision Important Photography Thinking
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

Connected Live Photograph Serious

I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.

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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.

Related Topics

Popular Authors

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