The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTTI believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
More Berenice Abbott Quotes
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I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
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I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
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What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
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Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
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Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
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Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
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Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
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I didn’t decide to be a photographer; I just happened to fall into it.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
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Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
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If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
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Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
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What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
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To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTT