“The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.”

Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.

Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.

I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.

Photography doesn’t teach you to express your emotions; it teaches you how to see.

I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.

You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.

To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.

I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.

Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.

It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.

I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.

I didn’t decide to be a photographer; I just happened to fall into it.

I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )

Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.

What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.

Photography can only represent the present. Once photographed, the subject becomes part of the past.

Whenever I go on a show with a comedian I just counter punch.

I’m going to go on just living and laughing and loving.

The world goes on, you go on and you change. You want to show the fans those changes, and you want to be able to verbalize them.

You’ll see, you’ll come to understand. These big things, these terrible things, are not the important ones. If they were, how could one go on living? No, it is the small, little things that make up a day, that bring fullness and happiness to a life.

I had to choose: Either leave the country, where it’s become dangerous for me, or go on the offensive.

People have a range of capacities to deal with overwhelming experience.

You know how a river goes on and on? That’s my love for you.

I don’t ever go on the Internet. I don’t even know how it works.