I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTTThe second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
More Berenice Abbott Quotes
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What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
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The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
BERENICE ABBOTT -
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT -
Photography doesn’t teach you to express your emotions; it teaches you how to see.
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Imagine a world without photography, one could only imagine.
BERENICE ABBOTT -
I didn’t decide to be a photographer; I just happened to fall into it.
BERENICE ABBOTT -
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT -
What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
BERENICE ABBOTT -
Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
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Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
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To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT -
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
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Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
BERENICE ABBOTT -
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT