To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTTLet us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
More Berenice Abbott Quotes
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
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I didn’t decide to be a photographer; I just happened to fall into it.
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None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
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Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
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Photography doesn’t teach you to express your emotions; it teaches you how to see.
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The art is in selecting what is worthwhile to take the trouble about.
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I think the important decision for a photographer is to choose a subject that intensely interests him or her.
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If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
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I haven’t seen too many images that have impressed me!
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There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
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The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
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Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
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I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
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I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
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I’m not a nice girl. I’m a photographer.
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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
BERENICE ABBOTT -
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
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I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
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Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.
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Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
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Imagine a world without photography, one could only imagine.
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You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
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The camera is no more an instrument of preservation, the image is.
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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
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The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT