The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTTSelf-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
More Berenice Abbott Quotes
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The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT -
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
BERENICE ABBOTT -
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT -
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
BERENICE ABBOTT -
I haven’t seen too many images that have impressed me!
BERENICE ABBOTT -
Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
BERENICE ABBOTT -
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTT -
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT -
The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
BERENICE ABBOTT -
Imagine a world without photography, one could only imagine.
BERENICE ABBOTT -
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
BERENICE ABBOTT -
There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
BERENICE ABBOTT -
The art is in selecting what is worthwhile to take the trouble about.
BERENICE ABBOTT -
I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT -
Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
BERENICE ABBOTT