Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.
BERENICE ABBOTTSelf-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
More Berenice Abbott Quotes
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Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
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Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
BERENICE ABBOTT -
The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
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It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
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To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
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Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
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Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
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You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
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I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
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None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
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I think the important decision for a photographer is to choose a subject that intensely interests him or her.
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The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
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I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT