I drag a lot of stuff round with me that I don’t need.
BENEDICT CUMBERBATCHIt’s very easy to be cynical about any kind of interference in things that are beyond our skill set.
More Benedict Cumberbatch Quotes
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I had the privilege of being able to choose, or at least have the opportunity to work at, being anything but an actor.
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I’ve turned up to costume parties in the wrong costume. I’ve made social faux pas a plenty. I’ve put one foot in front of the other and fallen over.
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Even the cerebral characters I play seem to have physical quirks. They’re all “physically inhabited,” for lack off a better expression. For instance, Sherlock Holmes has very particular physical gestures which are drawn out in such detail.
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I think playing any iconic role when you’re stepping into big shoes, into the shadow of people who have come before you and you can’t process that.
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Scott Derrickson breathes humour into a character with a very strong identity in the ’60s and ’70s, that psychedelia era of Eastern mysticism meeting the West.
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I was always performing, doing silly voices. The teachers realized I could go one of two ways: be creative or destructive.
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I want to be better at staying connected.
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Do I like being thought of as attractive? I don’t know anyone on Earth who doesn’t, but I do find it funny. I look in a mirror and I see all the faults I’ve lived with for 35 years and yet people go kind of nuts for certain things about me. It’s not me being humble. I just think it’s weird.
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Those are more universal things than some of the characters I play, who are slightly sociopathic. I keep reminding people I can do ordinary.
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I had a real yearning to make use of the opportunities I had at school. When I heard about the gap year of teaching English at a Tibetan monastery, I knew I had to do something about it really quickly, otherwise it was going to get allocated.
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I struggle to learn by rote. I’ve had meltdowns on set. Which is embarrassing and shameful.
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[Sherlock Holmes] has moved from being someone who was sociopathic, work-obsessed and slightly amoral, into being someone who has a certain degree of a private life, which is very, very private, with The Woman, or Irene Adler.
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I’ve been quite a late developer on the clothes front, but I’ve suddenly realised it is one of life’s joys.
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Laughing and crying are really similar – what happens to your body. It’s a very similar process in your diaphragm. Like a musician, you have to do your scales once in a while and warm up your voice.
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When I was young I became kind of a party animal. I had a massive crash. My health suffered. I was just overdoing it. That person could not be further from the one who emerged from that earlier experience. I regressed massively.
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I have actual acting scars.
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Upper class to me means you are either born into wealth or you’re Royalty.
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I tell my wife all my secrets.
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Our daily lives are so mundane, we get taken over by what is immediately in front of us and we don’t see beyond that.
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If you have an over-preoccupation with perception and trying to please people’s expectations, then you can go mad.
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I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.
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Enjoy the journey of life and not just the endgame.
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We look at science as the ultimate answer for everything yet we are really messy organisms and when the two collide in the upper echelons of medicine you think science will prevail but it’s not always that way.
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I’m a high-functioning sociopath, do your research.
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I never really got obsessed about one thing for long. I was a bit of a butterfly and a magpie.
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It’s an interesting arc. You start with a character [Doctor Strange] who’s likeable and charming but very arrogant and distant. He’s funny but you can see there are massive holes in his life. It’s a very painful transition and all that he becomes is tested so quickly and violently.
BENEDICT CUMBERBATCH