“We are so mired in the complexity of our reactions to other people that when you come across someone who is asocial, there is a simplicity that is refreshing.”

One of the things I find very difficult about theatre is the repetition – that something can slide away from your original intentions.

I’ve been out to LA a couple of times but, over there, the Grenouille in me always comes to the surface. I feel completely terrified, totally flummoxed, like I don’t understand what the hell is going on. I’ve no desire at all to go back there.

I’ve gone on workout regimes, but I seem to have a system that is very resistant to changing.

Even today, England is a very repressed, repressive country, and there’s pressure to be kind of a certain way, so people do things that ultimately make them sad.

I love the characters I’ve had the opportunity to play.

What I notice about people who are gifted in filmmaking is that they’re great thinkers. They engage with big ideas and they engage with people.

I would have loved to have been a painter or a sculptor. I’m still fascinated by those things.

I am a typical Libran. I tend to see two sides of everything.

I’d like to have a go at directing.

When you have a character to work with, you carry them around in a strange way – they make you look at the world in a different way.

The criminal justice system, like any system designed by human beings, clearly has its flaws.

Filmmakers tell stories to explore human nature, which is always a flawed thing.

My intuition comes up with better stuff than my head, I think.

I’m really hopeless with technology – I don’t even have a computer.

I wish that the arts were better supported, and you can’t say that enough times, but I also believe that whatever happens, artists will keep going.

For me, it’s important to keep a level of anonymity.