“Filmmakers tell stories to explore human nature, which is always a flawed thing.”

It’s fun to pretend you’re good at something you know you wouldn’t be good at in real life.

I was quite a shy child – not chronically, but I tended to blend into the background.

The thing I love about acting is that you can bring something very personal into the open and at the same time remain hidden because you’re always playing a character in a story that someone else has imagined. You’re always protected.

I love films. I love music. I love poetry and stories. All of that I feel… I sort of get very excited and fed by.

I can be shy, but I’m not really. I try to be better at overcoming these things people have said.

I used to collect knick-knacks, like wizards, trolls and little buddhas, and arrange them like precious things on a shelf.

I don’t think I am especially interested in celebrities, but I love talking about what is going on with people and why they do what they do.

The most amazing thing is when you find yourself watching someone in the café or something doing something weird. It’s amazing what people do, isn’t it, when you just look at them, when you take the time to look.

Dustin Hoffman also never does the same thing twice which is totally stimulating because you’re always getting something new from him. You never really know what he’s going to do next, so you have to be on your toes.

In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there’s so much that’s against you on a film set.

I think being very thin has had a lot to do with how I’ve been cast.

The thing about acting is that it’s fairly random. At the end of the day you take what drifts past you or what’s given to you.

Keats himself spoke about how Shakespeare was capable of erasing himself completely from the characters he had created. As an actor, that is what I’m trying to do.

I’m not tortured and neurasthenic – I’m really not.

When I finished my A-levels, I assumed I’d be able to get work as an actor. But I couldn’t. I didn’t get an audition. Nothing. So I thought I’d better train and then the parts would come.

I do get stopped on the street, although rarely. And they always have something lovely to say.

There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.

I’m a filmmaker, I’m a storyteller, an entertainer, if you will, so what can I do to participate?

I’m pretty committed to being a filmmaker because it incorporates everything I love: music, art direction, story, and you know – everything.

I think, as a filmmaker, it’s important to be honest with yourself at all times in terms of what’s working and what’s not.

If we’re going to be considered horror filmmakers, we have to prove it not only to ourselves, but to the audience that we can actually make something scary.

David O. Russell is probably my favorite filmmaker. He’s not only a great director, but he’s also a great writer.

I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.

I started to write because of my dream to become a filmmaker. I got to know about a film school in Paris and it was my goal to get there.