“The thing about acting is that it’s fairly random. At the end of the day you take what drifts past you or what’s given to you.”

I don’t think anyone can walk through the world in a state of vulnerability all the time, can they?

One of the things I find very difficult about theatre is the repetition – that something can slide away from your original intentions.

I’ve been out to LA a couple of times but, over there, the Grenouille in me always comes to the surface. I feel completely terrified, totally flummoxed, like I don’t understand what the hell is going on. I’ve no desire at all to go back there.

I’ve gone on workout regimes, but I seem to have a system that is very resistant to changing.

Even today, England is a very repressed, repressive country, and there’s pressure to be kind of a certain way, so people do things that ultimately make them sad.

I love the characters I’ve had the opportunity to play.

What I notice about people who are gifted in filmmaking is that they’re great thinkers. They engage with big ideas and they engage with people.

I would have loved to have been a painter or a sculptor. I’m still fascinated by those things.

I am a typical Libran. I tend to see two sides of everything.

I’d like to have a go at directing.

When you have a character to work with, you carry them around in a strange way – they make you look at the world in a different way.

The criminal justice system, like any system designed by human beings, clearly has its flaws.

We are so mired in the complexity of our reactions to other people that when you come across someone who is asocial, there is a simplicity that is refreshing.

Filmmakers tell stories to explore human nature, which is always a flawed thing.

My intuition comes up with better stuff than my head, I think.

I’m really hopeless with technology – I don’t even have a computer.

For modeling, I was always creating characters. I dress like a tomboy. So, when I’d go into a shoot, there’d be all these dresses, and I’d say to myself, ‘Okay, this isn’t me. It’s somebody else. So, who is this person?’ Acting is the next level of that.

To be supportive of myself, I have to go with what I want to do. I started acting and I was so mesmerized.

If pity was always equally alive and acting in all individuals and in all circumstances, we could do away with moral. Unfortunately, it is not compassion, but rather it’s contrary, selfishness, that act most strongly in us.

I feel blessed to have had the accumulation of life experiences that I’ve had, life experience just adds to the depths of a persons richness, as with acting!

Sometime in my second year at Brown [University], I took an acting class. And the lightbulb went off for me. I fell in love with it. I realized that everything I was afraid of about myself, all my fears, could be used in that world.

I was drawn into acting due to the fact that I could express myself better.

Film is a time capsule.

So perhaps we always are acting, in a sense. But you meet someone you feel you admire or you “know,” and it’ll be different for that reason.