I think you never want to have to go into the scene having to improvise; you want to make sure its working on the page. But I do like to have the ability to try stuff just in the moment, to give it some sort of spontaneity.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary.
I was staying on [writer/director/actor] Eric Schaeffer’s couch in New York, and he said, “I’ve got this movie [If Lucy Fell]. Can you do five days on it?”
My parents used to throw great New Year’s Eve parties. They invited such an eclectic mix of showbiz people. All those cool people were always hanging out at our apartment.
There’s always an element of fear that you need to work a lot until people get sick and tired of you or finally figure out that you’re a fraud after all!
When I didn’t have a family, I was much more of a workaholic. I still like to work, but I also want to be home with them. As you get older, you realize you need balance. If it’s not fun, what’s the point?
I don’t think it’s ever easy to be funny. I find it easy to amuse myself with a certain sort of cynical dark humor that tends toward the meaner side, like my character in Happy Gilmore. Those kinds of characters come easily to me.
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