Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHNAn amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
More Ben Shahn Quotes
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To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
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A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
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It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
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It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
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We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
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If one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
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Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
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I believe that if it were left to artists to choose their own labels, most would choose none.
BEN SHAHN -
To abstract is to draw out the essence of a matter.
BEN SHAHN -
The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
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I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
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It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
BEN SHAHN