Fiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUSFiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUSWithout sound, celebration and grief look nearly the same.
BEN MARCUSYou can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
BEN MARCUSBeing with him was like being alone underwater – everything was slow; nothing counted; I could not be harmed; I would feel dry and cold when I resurfaced.
BEN MARCUSThe context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
BEN MARCUSIn some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUSMy first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
BEN MARCUSTo me one of the amazing technologies of writing is the way it can listen in on thoughts. I don’t feel that that’s natural to other art forms in the same way.
BEN MARCUSEventually you stop paying attention to your own feelings when there’s nothing to be done about them.
BEN MARCUSSlamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUSWhen I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUSI’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
BEN MARCUSThe common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUSI like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
BEN MARCUSIn certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
BEN MARCUSI’m attracted to how fraught the parent-child relationship is, swerving so easily between love and hostility, with almost no plausible way to end, unless someone dies.
BEN MARCUS