I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
BEN MARCUSSorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
More Ben Marcus Quotes
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My goal, with whatever I’m working on, is to lose track of time.
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Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
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My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
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Fiction is too complicated and too elusive to break down into a set of tricks.
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A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
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In certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
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Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
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Among other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise.
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The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
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Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
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To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
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In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
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Suspense left my life a long time ago, now it has returned. I do not care for it.
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