Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
BEN MARCUSYou can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
More Ben Marcus Quotes
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Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.
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It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
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RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
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Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
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Suspense left my life a long time ago, now it has returned. I do not care for it.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
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My goal, with whatever I’m working on, is to lose track of time.
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I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
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I work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
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Fiction is too complicated and too elusive to break down into a set of tricks.
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A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
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Rain is used as white noise when God is disgusted by too much prayer, when the sky is stuffed to bursting with the noise of what people need.
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In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
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I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
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