I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
BEN MARCUSA misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
More Ben Marcus Quotes
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Sorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
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Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
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Being with him was like being alone underwater – everything was slow; nothing counted; I could not be harmed; I would feel dry and cold when I resurfaced.
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I love the way dates in a text make us think that truth will follow.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
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Rain is used as white noise when God is disgusted by too much prayer, when the sky is stuffed to bursting with the noise of what people need.
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Among other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise.
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A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
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Without sound, celebration and grief look nearly the same.
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You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
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To me one of the amazing technologies of writing is the way it can listen in on thoughts. I don’t feel that that’s natural to other art forms in the same way.
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A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
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My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
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The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
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