RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
BEN MARCUSRHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
BEN MARCUSWhen I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUSJudaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.
BEN MARCUSAmong other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise.
BEN MARCUSI’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
BEN MARCUSI love the way dates in a text make us think that truth will follow.
BEN MARCUSIn certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
BEN MARCUSA misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
BEN MARCUSIn some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUSI like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
BEN MARCUSEventually you stop paying attention to your own feelings when there’s nothing to be done about them.
BEN MARCUSI work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
BEN MARCUSYou can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
BEN MARCUSWithout sound, celebration and grief look nearly the same.
BEN MARCUSSlamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUSI’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
BEN MARCUS