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Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.

Ben Marcus

Fiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUS

Breaking Complicated Down Fiction
To me one of the amazing technologies of writing is the way it can listen in on thoughts. I don’t feel that that’s natural to other art forms in the same way.
BEN MARCUS

Art Feel Listen Technology Writing
Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
BEN MARCUS

Home Labs Motivation
My goal, with whatever I’m working on, is to lose track of time.
BEN MARCUS

Goal Loses Track
Sorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
BEN MARCUS

Dispute Impact Love Sorry Times Wonder yself
To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
BEN MARCUS

Circles Misunderstood People
It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
BEN MARCUS

Accountability Kids Parent
Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
BEN MARCUS

Mouth Safe Technology
Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUS

Book Copyright Permisson Weather Wind
My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
BEN MARCUS

Age Book Review Wire
In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUS

Care Fiction Space
The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUS

Hands Thinking Worry
I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
BEN MARCUS

Bigs Dose Grief
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUS

Emotional Level Writing
Without sound, celebration and grief look nearly the same.
BEN MARCUS

Grief Looks Sound
A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
BEN MARCUS

Body Self Sometimes

Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.

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Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.

Related Topics

Popular Authors

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