John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
BEN KINGSLEYIf I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.
More Ben Kingsley Quotes
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I try and reduce myself to an almost blank slate and hope to God that I am creative.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.
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Family is family over the internet, over Skype, over the telephone. Love is love. You don’t have to actually go through some ritual to prove that you love somebody.
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In cinema, the leading player is the director.
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I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
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You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
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Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn’t going to work.
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It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.
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If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.
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But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.
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When I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
BEN KINGSLEY