Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.
BEN KINGSLEYI think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.
More Ben Kingsley Quotes
-
-
I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
BEN KINGSLEY -
That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
BEN KINGSLEY -
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
BEN KINGSLEY -
In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
BEN KINGSLEY -
If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.
BEN KINGSLEY -
Equal partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.
BEN KINGSLEY -
I think that most actors attempt to keep in touch with the child.
BEN KINGSLEY -
Millions of children are disempowered and we need to empower them.
BEN KINGSLEY -
In England, it’s now Sir Ben. Mister has just disappeared. It’s not even on my passport anymore. They’ve taken Mister away from me.
BEN KINGSLEY -
One of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
BEN KINGSLEY -
If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
BEN KINGSLEY -
We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.
BEN KINGSLEY -
The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.
BEN KINGSLEY -
All the great writers root their characters in true human behaviour.
BEN KINGSLEY -
I try and reduce myself to an almost blank slate and hope to God that I am creative.
BEN KINGSLEY







