I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
BEN KINGSLEYWe are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.
More Ben Kingsley Quotes
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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Hamlet is an astonishing intelligence.
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What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it’s a science. It’s neither. Bobby Fischer got underneath it like no one before and found at its center, art.
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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You cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.
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But comedy I’d love to do as much as humanly possible.
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Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.
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There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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I think that various styles and methods and approaches are an invention of people who don’t understand the process of acting and who try very hard to label things.
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I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
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You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
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I’m convinced that had I not changed my name, I don’t think I would have had quite the same career curve that I eventually had.
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I have a rather naive approach, I think, to my job.
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If it’s a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it’s usually a reaction to something else.
BEN KINGSLEY






