My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
BEN KINGSLEYOne of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
More Ben Kingsley Quotes
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Sometimes it’s right to do the wrong things and right now is one of those times.
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I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
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There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
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If it’s a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it’s usually a reaction to something else.
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All the great writers root their characters in true human behaviour.
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The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
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There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.
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There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
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I always try to find something I admire about every character I play.
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You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
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I don’t honestly think people know what acting is.
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I think if I were to go back on stage I might be in great danger of acting.
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
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I hope I’m able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I’m reducing, rather than adding. Which hopefully is a good exercise. That’s what I’d like to do.
BEN KINGSLEY