I have never felt bereft of anything.
BEN KINGSLEYI was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
More Ben Kingsley Quotes
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I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
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There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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As a singer, I might have fallen among thieves. I wonder if I’d still be alive by now.
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I do believe female directors, as well as our female writer, can bring out male vulnerability that some men can’t because they can’t face it.
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I don’t honestly think people know what acting is.
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I would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.
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There’s so much crap talked about acting.
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You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
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There is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
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I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
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As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.
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There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEY