I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
BEN GIBBARDEvery record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
More Ben Gibbard Quotes
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To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.
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Anything was better than going to work. All those early tours before we made any money were more like vacations. I don’t think it was until 2001 that we pulled our heads out of the sand and were like, “What are we doing?”
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The second ‘Postal Service’ album is threatening to become the ‘Chinese Democracy’ of indie rock. It will come out eventually, or maybe it won’t.
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I don’t want to be overdramatic about it, but I’m starting to see a lot of my bad habits get the best of me.
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I think sometimes a narrative can come out of a single word.
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We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
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And it came to me then that every plan is a tiny prayer to father time.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.
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