Nada Surf and Harvey Danger are good bands. I think they’ve just stayed true to why they play music in the first place, it’s just because they love doing it and they love each other and that’s the impetus for doing it, not trying to keep singles on the radio and on MTV.
BEN GIBBARDEvery record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
More Ben Gibbard Quotes
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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I was literally just going and applying for jobs, and I couldn’t get a job, and I was getting more and more broke, and you find yourself groveling for jobs you don’t even want.
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Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.
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I don’t spend my time perusing message boards to find out what people think about me or if people think my songs are good or if people love that lyric or this or that. I just want to be happy with it myself – and if other people like it, that’s great.
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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For me, a song doesn’t really take flight until it has a lyric on it. …Without a lyric that I’m happy with, it could be the greatest song ever melodically or arrangement-wise, but it doesn’t have any resonance.
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There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”
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The second ‘Postal Service’ album is threatening to become the ‘Chinese Democracy’ of indie rock. It will come out eventually, or maybe it won’t.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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Hall & Oates is one of the few musical groups as satisfying now as it was back then. There’s something incredibly musically satisfying about their songs. Nothing has diminished my love for them.
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I don’t think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we’re in Baltimore trying to figure out what to do with ourselves.
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Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
BEN GIBBARD