I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
BEN GIBBARDWe would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
More Ben Gibbard Quotes
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I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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Because of my age and what I do for a living and the amount of time that I’ve spent away from my family and loved ones.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real.
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I’ve always had a soft spot for Phil Collins. He’s a great vocalist.
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
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I want to write songs with complete sentences. I almos have this obsession with short-changing words. I would never be so pretentious to say that my lyrics are poetry. … Poems are poems. Song lyrics are for songs.
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
BEN GIBBARD