Hall & Oates is one of the few musical groups as satisfying now as it was back then. There’s something incredibly musically satisfying about their songs. Nothing has diminished my love for them.
BEN GIBBARDWe would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
More Ben Gibbard Quotes
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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Liking interesting things doesn’t make you interesting.
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Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.
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Because of my age and what I do for a living and the amount of time that I’ve spent away from my family and loved ones.
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We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
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I just rediscovered my guitar.
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We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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There’s a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.
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