There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”
BEN GIBBARDLiking interesting things doesn’t make you interesting.
More Ben Gibbard Quotes
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I think sometimes a narrative can come out of a single word.
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Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
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We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
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We always idealize the past because we don’t feel the painful stuff the way we used to.
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Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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There’s a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.
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To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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For me, a song doesn’t really take flight until it has a lyric on it. …Without a lyric that I’m happy with, it could be the greatest song ever melodically or arrangement-wise, but it doesn’t have any resonance.
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
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I don’t think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we’re in Baltimore trying to figure out what to do with ourselves.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
BEN GIBBARD






