“So many interlocking spirals of history, genetics, common cause, and struggle that it should be the most basic of all drives, that you would strive to protect and love one another, yet this bond that should be the big no-brainer was in fact the hardest thing.”

If you want to write, then write; if you don’t want to write, then don’t write. I fell into the former category, and I just made the decision that I’d keep on because I liked it and might someday do something decent.

At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.

I kept going back while I was writing the novel – which never sold, may it rest in peace – and by the time it was finished I had too many connections to Haiti to walk away.

Somewhere along the way America became a giant mall with a country attached.

Haiti is unique – the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it’s like nothing the world has ever seen.

It’s amazing what happens when you stick yourself in a place and let things take their more or less natural course.

Eruptions of talent continue to happen in Haiti, in spite of everything.

The Kessler Theater is one such gem, an Art Deco beauty … for a slice of real life, there’s always the Kessler.

I really had to decide why I was writing. I had no interest in going back to law; I very briefly – for about six hours – considered going to get my MBA, but in the end, I realized that the only work I really wanted to do was write.

I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.

I think if you spend much time dwelling on influence you can get self-conscious about every line you write. That’s a great way to freeze up.

I thought when I started writing that I’d have a book out in four or five years, and as it became apparent that that wasn’t going to happen, I became increasingly frustrated and unsure of myself.

I realized I was never going to have any peace with myself unless I made an honest stab at trying to write.

Maybe the light’s at the other end of the tunnel.

I took two fiction-writing courses in college and majored in literature. I felt that I had a knack though I wouldn’t go so far as to call it a talent. But it scared me. I felt it was a childish thing wanting to write and that I would forget about it eventually.

I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile?

You’re not in competition with other women. You’re in competition with everyone.

As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.

If it is not, why make laws for its punishment? And if it is, by what barbarous logic do you, to punish it, duplicate it by another crime?

Why abandon a seat in your own home to wander in vain through dusty regions of another land? If you make one false step, you miss what is right before your eyes.

One clings to life although there is nothing to be called life; another clings to death although there is nothing to be called death. In reality, there is nothing to be born; consequently, there is nothing to perish.

And thus I aspire to preach the gospel, not where Christ was already named so that I would not build on another man’s foundation.

Owe nothing to anyone, except to love one another.

So, then, let us pursue the things making for peace and the things that are upbuilding to one another.