I kept going back while I was writing the novel – which never sold, may it rest in peace – and by the time it was finished I had too many connections to Haiti to walk away.
BEN FOUNTAINI started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.
More Ben Fountain Quotes
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The Kessler Theater is one such gem, an Art Deco beauty … for a slice of real life, there’s always the Kessler.
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Maybe the light’s at the other end of the tunnel.
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I think if you spend much time dwelling on influence you can get self-conscious about every line you write. That’s a great way to freeze up.
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I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile?
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By the end of the first decade of writing, I considered myself a confirmed failure in the eyes of the world.
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Haiti is unique – the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it’s like nothing the world has ever seen.
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At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
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From about the age of 15 or 16 I’d had the notion that I wanted to write fiction, and I’d done enough in college to satisfy myself that I had a knack for it – I wouldn’t call it “talent” – though I wondered if I’d ever have the guts to actually commit to it.
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I took two fiction-writing courses in college and majored in literature. I felt that I had a knack though I wouldn’t go so far as to call it a talent. But it scared me. I felt it was a childish thing wanting to write and that I would forget about it eventually.
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I got brilliant stories from people who’d never set foot in an MFA program and had published very little, and terrible stories from people who’d published a lot and had all the credentials. It was all over the map and that was part of the fun.
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I’m ashamed and embarrassed to say that I’ve read very little of David Foster Wallace’s work. It’s a huge gap in my education, one of many.
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The funny thing is, about the time I let go of any aspiration toward worldly success, that’s about the time I started writing decent work.
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Late bloomer’ is another way of saying ‘slow learner.
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I never listen to music when I’m writing.
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I thought when I started writing that I’d have a book out in four or five years, and as it became apparent that that wasn’t going to happen, I became increasingly frustrated and unsure of myself.
BEN FOUNTAIN