Late bloomer’ is another way of saying ‘slow learner.
BEN FOUNTAINI think if you spend much time dwelling on influence you can get self-conscious about every line you write. That’s a great way to freeze up.
More Ben Fountain Quotes
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Haiti is unique – the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it’s like nothing the world has ever seen.
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It took me 10 years to write a story that pleased me – that I could look at after it was published and not cringe.
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Americans are incredibly polite as long as they get what they want.
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I kept going back while I was writing the novel – which never sold, may it rest in peace – and by the time it was finished I had too many connections to Haiti to walk away.
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I quit law in 1988 to start writing, and it took me 17 years from that point to get a book contract. I guess you can say I was on the slow train.
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So many interlocking spirals of history, genetics, common cause, and struggle that it should be the most basic of all drives, that you would strive to protect and love one another, yet this bond that should be the big no-brainer was in fact the hardest thing.
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If you want to write, then write; if you don’t want to write, then don’t write. I fell into the former category, and I just made the decision that I’d keep on because I liked it and might someday do something decent.
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The funny thing is, about the time I let go of any aspiration toward worldly success, that’s about the time I started writing decent work.
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From about the age of 15 or 16 I’d had the notion that I wanted to write fiction, and I’d done enough in college to satisfy myself that I had a knack for it – I wouldn’t call it “talent” – though I wondered if I’d ever have the guts to actually commit to it.
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I thought when I started writing that I’d have a book out in four or five years, and as it became apparent that that wasn’t going to happen, I became increasingly frustrated and unsure of myself.
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Eruptions of talent continue to happen in Haiti, in spite of everything.
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It’s amazing what happens when you stick yourself in a place and let things take their more or less natural course.
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I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.
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I realized I was never going to have any peace with myself unless I made an honest stab at trying to write.
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I think if you spend much time dwelling on influence you can get self-conscious about every line you write. That’s a great way to freeze up.
BEN FOUNTAIN






