In many ways, I’ve chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don’t like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
BEN FOLDSPeople learn at the rate they are going to learn.
More Ben Folds Quotes
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The nature of honesty is that if someone has information or knows something about you that you don’t want heard, then they have power over you.
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The nice thing about age is worrying less and less about what people think.
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A lot of 18-year-olds are like old men. They think they’ve seen everything.
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I do have that mindset – that most good art comes from some turmoil, from someone trying to come to some equilibrium, or come up and get a breath.
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My parents told me I must get married. I was seen as a failure if I didn’t do it.
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And all I really want to say is you’re the reason I want to stay.
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If I’m in a relationship and my girlfriend is sleeping with other people, I don’t need to know who it is; I just want to know how she feels about it.
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The press is like any business. Its a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.
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Even though I live in America more, I feel like when I go to Adelaide, that’s when I get to go home.
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I think alcohol is a good drug for me when I’m writing. I don’t think I’ve ever had a problem with it. I can stop for a few weeks, so I think it’s okay. I don’t think it’s good for my liver, but I do love it. It’s a huge part of my life, and it makes me happy.
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It’s a tough thing to know that when you’re making your album, you’re going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
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People aren’t going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They’d rather just have the martini.
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It’s like being in the position of – in half of the industry’s mind, you’re kind of a cult-following, independent rocker. And on the other hand, you’re a sellout. But neither one of them are right.
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I don’t leave my neighborhood. I don’t go anywhere. There are four blocks I live in and there are two coffee shops, one at each end of the block… so I don’t do much driving…
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If the melody is telling me this is what the song is about, then I’m sort of forced into confession, autobiography or fantasy. If I don’t do that, I’ve hamstrung the melody.
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