“I doubt anybody would have pushed me [on the music]. When I was at Sony nobody ever gave me any creative suggestions on the music.”

I first heard the banjo on the Beverly Hillbillies, and from then on I was banjo-conscious. But I didn’t actually get one until my grandfather gave me one, almost by mistake.

When I play my own music, or when I play new music, there’s much more stress and intensity of thinking about how I’m going to make it work!

Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn’t gone wrong, as an improviser, and I do know how to do that.

Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn’t gone wrong, as an improviser, and I do know how to do that.

I don’t know enough about hip-hop, though I’ve heard some great hip-hop. I just did a thing with Qwest Love – we did a performance together in Memphis at the Folk Alliance Festival, and we had a great jam and a conversation.

It doesn’t have to be happy music to be inspiring.

I think I’m getting better at being verbal. I used to have a lot of problems with it. I had my own little demons that I was fighting, and I used the banjo as an escape.

I think the musical evolution I’ve gone through has come from all the work with the material.

There is a tendency to want to isolate a little bit, from people that might look at me from a fan position, because it’s hard to be a real person around them, and I really want that when I’m not out on tour and in that sort of public eye.

And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people’s consciousness by the power of that explosion.

He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.

My most powerful memory was hearing Earl Scruggs on ‘The Beverly Hillbillies’ as a 5 or 6 year old. That sound just blew me away, shook my head up.

I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.

I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.

There’s a lot of hip-hop that would be great with a banjo in it. It would just groove like crazy, and I hope I get to be one of the guys who does that, because it’s coming. It’s coming.

Everybody should have a documentary made about themselves. It’s amazing what you see and what you learn.

He whose faith never doubted, may justly doubt of his faith.

Faith without doubt is addiction.

One who never turned his back but marched breast forward, never doubted clouds would break, Never dreamed, though right were worsted, wrong would triumph, Held we fall to rise, are baffled to fight better, sleep to wake.

It is best to love wisely, no doubt; but to love foolishly is better than not to be able to love at all.

By the year 2000 we will undoubtedly have a sizable operation on the Moon, we will have achieved a manned Mars landing and it’s entirely possible we will have flown with men to the outer planets.

If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.

You don’t doubt that the lobby supporting the enactment of same sex-marriage laws in different states is politically powerful, do you? As far as I can tell, political figures are falling over themselves to endorse your side of the case.

It is doubtful that congress would pass the Bill of Rights if it were introduced today.